{"product_id":"barenboim-cso-the-complete-warner-classics-edition-37-cd","title":"Barenboim - CSO: The Complete Warner Classics Edition (37-CD)","description":"\u003cp\u003e[[Description]]\u003c\/p\u003e\u003cp data-start=\"0\" data-end=\"453\"\u003e\u003cem\u003eBarenboim - Chicago Symphony Orchestra: The Complete Warner Classics Edition\u003c\/em\u003e gathers Daniel Barenboim’s complete Warner Classics recordings with the Chicago Symphony Orchestra in a limited-edition 37-CD collection. Spanning recordings from 1970 and 1990-2001, this expansive set documents Barenboim’s transformative tenure as the Orchestra’s ninth music director and one of the most significant artistic eras in the ensemble’s modern history.\u003c\/p\u003e\u003cp data-start=\"455\" data-end=\"1091\"\u003eThe collection ranges from core symphonic repertoire by Beethoven, Brahms, Mahler, Tchaikovsky and Wagner to acclaimed collaborations with Itzhak Perlman, Yo-Yo Ma and Maxim Vengerov. Highlights include the Grammy Award-winning world-premiere recording of John Corigliano’s Symphony No. 1, major choral works such as Beethoven’s \u003cem data-start=\"784\" data-end=\"800\"\u003eMissa solemnis\u003c\/em\u003e and Verdi’s \u003cem data-start=\"813\" data-end=\"831\"\u003eMessa da Requiem\u003c\/em\u003e, and brilliant orchestral showpieces that showcase the Chicago Symphony Orchestra’s legendary virtuosity. Essential for collectors and CSO admirers alike, this set offers a sweeping portrait of Barenboim’s Chicago legacy.\u003c\/p\u003e\u003cp data-start=\"455\" data-end=\"1091\"\u003e[[Contents]]\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBeethoven\u003c\/strong\u003e \u003cem\u003eMissa solemnis\u003c\/em\u003e in D Major, Op. 123\u003cbr\u003eTina Kiberg \u003cem\u003esoprano\u003c\/em\u003e\u003cbr\u003eWaltraud Meier \u003cem\u003emezzo-soprano\u003c\/em\u003e\u003cbr\u003eJohn Aler \u003cem\u003etenor\u003c\/em\u003e\u003cbr\u003eRobert Holl \u003cem\u003ebass\u003c\/em\u003e\u003cbr\u003eChicago Symphony Chorus\u003cbr\u003eMargaret Hillis \u003cem\u003edirector\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eApril-May 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBerlioz\u003c\/strong\u003e \u003cem\u003eSymphonie fantastique\u003c\/em\u003e, Op. 14\u003cbr\u003e\u003cem\u003eMay 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLisle (arr. Berlioz)\u003c\/strong\u003e \u003cem\u003eLa Marseillaise\u003cbr\u003e\u003c\/em\u003ePlácido Domingo \u003cem\u003etenor\u003cbr\u003e\u003c\/em\u003eChicago Symphony Chorus\u003cbr\u003eDuain Wolfe \u003cem\u003edirector\u003cbr\u003eMay 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGershwin\u003c\/strong\u003e \u003cem\u003eCuban \u003c\/em\u003eOverture\u003cbr\u003e\u003cem\u003eMay 1997, Medinah Temple, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBernstein\u003c\/strong\u003e Symphonic Dances from \u003cem\u003eWest Side Story\u003cbr\u003eMay 1997, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Symphony No. 1 in C Minor, Op. 68\u003cbr\u003e\u003cem\u003eMay 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Symphony No. 2 in D Major, Op. 73\u003cbr\u003e\u003cem\u003eOctober 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e \u003cem\u003eTragic \u003c\/em\u003eOverture, Op. 81\u003cbr\u003e\u003cem\u003eSeptember 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Symphony No. 3 in F Major, Op. 90\u003cbr\u003e\u003cem\u003eMay 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, Op. 56a\u003cbr\u003e\u003cem\u003eSeptember 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Symphony No. 4 in E Minor, Op. 98\u003cbr\u003e\u003cem\u003eSeptember 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e \u003cem\u003eAcademic Festival \u003c\/em\u003eOverture, Op. 80\u003cbr\u003e\u003cem\u003eSeptember 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e \u003cem\u003eEin deutsches Requiem \u003c\/em\u003e(A German Requiem), Op. 45\u003cbr\u003eJanet Williams \u003cem\u003esoprano\u003c\/em\u003e\u003cbr\u003eThomas Hampson \u003cem\u003ebaritone\u003c\/em\u003e\u003cbr\u003eChicago Symphony Chorus\u003cbr\u003eMargaret Hillis \u003cem\u003edirector\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSeptember 1992; January 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Double Concerto for Violin and Cello in A Minor, Op. 102\u003cbr\u003eItzhak Perlman \u003cem\u003eviolin\u003cbr\u003e\u003c\/em\u003eYo-Yo Ma \u003cem\u003ecello\u003cbr\u003eSeptember 1996, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky\u003c\/strong\u003e Violin Concerto in D\u003cbr\u003eItzhak Perlman \u003cem\u003eviolin\u003cbr\u003eSeptember 1994, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Violin Concerto in D Major, Op. 77\u003cbr\u003eMaxim Vengerov \u003cem\u003eviolin\u003cbr\u003eOctober 1997, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms\u003c\/strong\u003e Violin Sonata No. 3 in D Minor, Op. 108\u003cbr\u003eMaxim Vengerov \u003cem\u003eviolin\u003cbr\u003e\u003c\/em\u003eDaniel Barenboim \u003cem\u003epiano\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCarter\u003c\/strong\u003e \u003cem\u003ePartita \u003c\/em\u003efrom \u003cem\u003eSymphonia\u003cbr\u003eJune 1994, Kölner Philharmonie, Cologne\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBerio\u003c\/strong\u003e \u003cem\u003eContinuo\u003cbr\u003eJanuary 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTakemitsu\u003c\/strong\u003e \u003cem\u003eVisions for Orchestra\u003cbr\u003eJanuary 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorigliano\u003c\/strong\u003e Symphony No. 1\u003cbr\u003eStephen Hough \u003cem\u003epiano\u003cbr\u003e\u003c\/em\u003eJohn Sharp \u003cem\u003ecello\u003cbr\u003eMarch 1990, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e1991 Grammy® Award, Best Orchestral Performance, Best Contemporary Composition\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDvořák\u003c\/strong\u003e Cello Concerto in B Minor, Op. 104\u003cbr\u003eJacqueline du Pré \u003cem\u003ecello\u003cbr\u003eNovember 1970, Medinah Temple, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDvořák\u003c\/strong\u003e \u003cem\u003eWaldesruhe\u003c\/em\u003e (\u003cem\u003eSilent Woods\u003c\/em\u003e) for Cello and Orchestra, Op. 68\u003cbr\u003eJacqueline du Pré \u003cem\u003ecello\u003cbr\u003eNovember 1970, Medinah Temple, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFalla\u003c\/strong\u003e \u003cem\u003eNoches en los jardines de España \u003c\/em\u003e(\u003cem\u003eNights in the Gardens of Spain\u003c\/em\u003e)\u003cbr\u003eDaniel Barenboim \u003cem\u003epiano\u003cbr\u003e\u003c\/em\u003ePlácido Domingo \u003cem\u003econductor\u003cbr\u003eMay 1997, Medinah Temple, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFalla\u003c\/strong\u003e \u003cem\u003eEl sombrero de tres picos \u003c\/em\u003e(\u003cem\u003eThe Three-Cornered Hat\u003c\/em\u003e)\u003cbr\u003eJennifer Larmore \u003cem\u003emezzo-soprano\u003cbr\u003eMay 1997, Medinah Temple, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFurtwängler\u003c\/strong\u003e Symphony No. 2 in E Minor\u003cbr\u003e\u003cem\u003eDecember 2001, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLutosławski\u003c\/strong\u003e Concerto for Orchestra\u003cbr\u003e\u003cem\u003eOctober 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLutosławski\u003c\/strong\u003e Symphony No. 3\u003cbr\u003e\u003cem\u003eOctober 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMahler\u003c\/strong\u003e Symphony No. 5\u003cbr\u003e\u003cem\u003eJune 1997, Kölner Philharmonie, Cologne\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMahler\u003c\/strong\u003e \u003cem\u003eDas Lied von der Erde\u003cbr\u003e\u003c\/em\u003eWaltraud Meier \u003cem\u003emezzo-soprano\u003cbr\u003e\u003c\/em\u003eSiegfried Jerusalem \u003cem\u003etenor\u003cbr\u003eApril-May 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMendelssohn\u003c\/strong\u003e Violin Concerto in E Minor, Op. 64\u003cbr\u003eItzhak Perlman \u003cem\u003eviolin\u003cbr\u003eMay 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProkofiev\u003c\/strong\u003e Violin Concerto No. 2 in G Minor, Op. 63\u003cbr\u003eItzhak Perlman \u003cem\u003eviolin\u003cbr\u003eMay 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRavel\u003c\/strong\u003e \u003cem\u003eBoléro\u003cbr\u003eOctober 1991-March 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRavel\u003c\/strong\u003e \u003cem\u003eRapsodie espagnole\u003cbr\u003eOctober 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRavel\u003c\/strong\u003e \u003cem\u003ePavane pour une infante défunte\u003cbr\u003eOctober 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRavel\u003c\/strong\u003e \u003cem\u003eAlborada del gracioso\u003cbr\u003eOctober 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRavel\u003c\/strong\u003e \u003cem\u003eDaphnis et Chloé\u003c\/em\u003e, Suite No. 2\u003cbr\u003e\u003cem\u003eOctober 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRimsky-Korsakov\u003c\/strong\u003e \u003cem\u003eScheherazade\u003c\/em\u003e, Op. 35\u003cbr\u003eSamuel Magad \u003cem\u003eviolin\u003cbr\u003eFebruary 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRimsky-Korsakov\u003c\/strong\u003e \u003cem\u003eThe Tale of Tsar Saltan \u003c\/em\u003eSuite, Op. 57\u003cbr\u003e\u003cem\u003eSeptember 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSchoenberg\u003c\/strong\u003e \u003cem\u003eVerklärte Nacht \u003c\/em\u003e(\u003cem\u003eTransfigured Night\u003c\/em\u003e), Op. 4\u003cbr\u003e\u003cem\u003eOctober 1994, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSchoenberg\u003c\/strong\u003e Five Pieces for Orchestra, Op. 16\u003cbr\u003e\u003cem\u003eOctober 1994, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSchoenberg\u003c\/strong\u003e Piano Pieces, Opp. 11 \u0026amp; 19\u003cbr\u003eDaniel Barenboim \u003cem\u003epiano\u003cbr\u003eNovember 1994, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSibelius\u003c\/strong\u003e Violin Concerto in D Minor, Op. 47\u003cbr\u003eMaxim Vengerov \u003cem\u003eviolin\u003cbr\u003eJanuary 1996, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNielsen\u003c\/strong\u003e Violin Concerto, Op. 33\u003cbr\u003eMaxim Vengerov \u003cem\u003eviolin\u003cbr\u003eJanuary 1996, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStrauss Family \u003c\/strong\u003eSelected Waltzes, Marches and Polkas\u003cbr\u003e\u003cem\u003eSeptember 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e \u003cem\u003eEine Alpensinfonie \u003c\/em\u003e(\u003cem\u003eAn Alpine Symphony\u003c\/em\u003e), Op. 64\u003cbr\u003e\u003cem\u003eSeptember 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e Symphonic Fantasy on \u003cem\u003eDie Frau ohne Schatten\u003cbr\u003eSeptember 1992, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e \u003cem\u003eDon Juan\u003c\/em\u003e, Op. 20\u003cbr\u003e\u003cem\u003eMay 1990, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e \u003cem\u003eDon Quixote\u003c\/em\u003e, Op. 35\u003cbr\u003eJohn Sharp \u003cem\u003ecello\u003cbr\u003e\u003c\/em\u003eCharles Pickler \u003cem\u003eviola\u003cbr\u003eMay 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e \u003cem\u003eTill Eulenspiegels lustige Streiche \u003c\/em\u003e(\u003cem\u003eTill Eulenspiegel’s Merry Pranks\u003c\/em\u003e), Op. 28\u003cbr\u003e\u003cem\u003eSeptember 1990, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e \u003cem\u003eEin Heldenleben\u003c\/em\u003e, Op. 40\u003cbr\u003eSamuel Magad \u003cem\u003eviolin\u003cbr\u003eSeptember 1990, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e Horn Concerto No. 1 in E-flat Major, Op. 11\u003cbr\u003eDale Clevenger \u003cem\u003ehorn\u003cbr\u003eOctober 1998, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e2001 Grammy® Award, Best Instrumental Soloist Performance with Orchestra\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e Duet-Concertino in F Major\u003cbr\u003eLarry Combs \u003cem\u003eclarinet\u003cbr\u003e\u003c\/em\u003eDavid McGill \u003cem\u003ebassoon\u003cbr\u003eOctober 1998, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e2001 Grammy® Award, Best Instrumental Soloist Performance with Orchestra\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e Oboe Concerto in D\u003cbr\u003eAlex Klein \u003cem\u003eoboe\u003cbr\u003eOctober 1998, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e2001 Grammy® Award, Best Instrumental Soloist Performance with Orchestra\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eR. Strauss\u003c\/strong\u003e Andante for Horn and Piano in C Major\u003cbr\u003eDale Clevenger \u003cem\u003ehorn\u003cbr\u003e\u003c\/em\u003eDaniel Barenboim \u003cem\u003epiano\u003cbr\u003eOctober 1998, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e2001 Grammy® Award, Best Instrumental Soloist Performance with Orchestra\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky\u003c\/strong\u003e \u003cem\u003eLe Sacre du printemps\u003c\/em\u003e (\u003cem\u003eThe Rite of Spring\u003c\/em\u003e) \u003cbr\u003e\u003cem\u003eJanuary 2000, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDebussy\u003c\/strong\u003e \u003cem\u003eLa mer\u003cbr\u003eJanuary 2000, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBoulez\u003c\/strong\u003e \u003cem\u003eNotations VII\u003cbr\u003eJanuary 2000, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e Symphony No. 4 in F Minor, Op. 36\u003cbr\u003e\u003cem\u003eJanuary-February 1997, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Fantasy Overture\u003cbr\u003e\u003cem\u003eOctober 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e Symphony No. 5 in E Minor, Op. 64\u003cbr\u003e\u003cem\u003eOctober 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e \u003cem\u003e1812 Overture\u003c\/em\u003e, Op. 49\u003cbr\u003e\u003cem\u003eOctober 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBeethoven\u003c\/strong\u003e Piano Sonata No. 8 in C Minor, Op. 13 (\u003cem\u003ePathétique\u003c\/em\u003e)\u003cbr\u003eDaniel Barenboim \u003cem\u003epiano\u003cbr\u003eMarch 1998, Teldec Studio, Berlin\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e Symphony No. 6 in B Minor, Op. 74 (\u003cem\u003ePathétique\u003c\/em\u003e)\u003cbr\u003eDaniel Barenboim \u003cem\u003epiano\u003cbr\u003eFebruary 1998, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVerdi\u003c\/strong\u003e \u003cem\u003eMessa da Requiem\u003cbr\u003e\u003c\/em\u003eAlessandra Marc \u003cem\u003esoprano\u003cbr\u003e\u003c\/em\u003eWaltraud Meier \u003cem\u003emezzo-soprano\u003cbr\u003e\u003c\/em\u003ePlácido Domingo \u003cem\u003etenor\u003cbr\u003e\u003c\/em\u003eFerruccio Furlanetto \u003cem\u003ebass\u003cbr\u003e\u003c\/em\u003eChicago Symphony Chorus\u003cbr\u003eMargaret Hillis \u003cem\u003edirector\u003cbr\u003eSeptember 1993, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWagner \u003c\/strong\u003eExcerpts from \u003cem\u003eDer Ring des Nibelungen\u003cbr\u003e\u003c\/em\u003eDeborah Polaski \u003cem\u003esoprano\u003cbr\u003eOctober 1991, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWagner\u003c\/strong\u003e Overtures and Preludes\u003cbr\u003e\u003cem\u003eJanuary 1999, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHannibal\u003c\/strong\u003e \u003cem\u003eAfrican Portraits\u003cbr\u003e\u003c\/em\u003eAlhaji “Papa” Bunka Susso \u003cem\u003egriot\u003c\/em\u003e\u003cbr\u003eEye Plus One Drummers (Paul A. Cotton, Mesha’ch Silas, Enoch Williamson; Clifton Robinson \u003cem\u003edirector\u003c\/em\u003e)\u003cbr\u003eJevetta Steele \u003cem\u003egospel singer\u003cbr\u003e\u003c\/em\u003eDavid “Honeyboy” Edwards \u003cem\u003evocal\u003cbr\u003e\u003c\/em\u003eHannibal Lokumbe Quartet (Hannibal Lokumbe, Ron Burton, Cecil McBee, Cecil Brooks III)\u003cbr\u003eBarton Green \u003cem\u003etenor\u003cbr\u003e\u003c\/em\u003eDavid van Abbema \u003cem\u003ebaritone\u003cbr\u003e\u003c\/em\u003eTheodore Jones \u003cem\u003ebaritone\u003c\/em\u003e\u003cbr\u003eBrian Smith \u003cem\u003eboy soprano\u003cbr\u003e\u003c\/em\u003eMorgan State University Choir\u003cbr\u003eNathan Carter \u003cem\u003edirector\u003cbr\u003e\u003c\/em\u003eKennedy-King College Community Chorus\u003cbr\u003eRandall Johnson \u003cem\u003edirector\u003cbr\u003e\u003c\/em\u003eDoris Ward Workshop Chorale\u003cbr\u003eLucius Robinson \u003cem\u003edirector\u003cbr\u003eMay 1995, Orchestra Hall, Chicago\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e[[Specifications]]\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDiscs: \u003c\/strong\u003e37\u003cbr\u003e\u003cstrong\u003eRecord Label: \u003c\/strong\u003eWarner Classics\u003cbr\u003e\u003cstrong\u003eRelease Date: \u003c\/strong\u003eMay 22, 2026\u003c\/p\u003e","brand":"Alliance Entertainment","offers":[{"title":"Default Title","offer_id":46080699760836,"sku":"210000066912","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/7014\/9060\/files\/hz1p9ubtwqsqhxzmufzr.jpg?v=1776882961","url":"https:\/\/symphonystore.com\/products\/barenboim-cso-the-complete-warner-classics-edition-37-cd","provider":"The Symphony Store","version":"1.0","type":"link"}