{"product_id":"voice-of-a-century-the-life-and-artistry-of-marian-anderson","title":"Voice of a Century: The Life and Artistry of Marian Anderson, Tommasini","description":"\u003cp\u003eThe night before Marian Anderson performed her historic concert at the Lincoln Memorial, she called her manager with grave doubts. What had started as a plan to sing a recital in Washington’s largest concert hall had turned, she feared, into a protest rally after she was barred from appearing on the venue’s whites-only stage. The next day a crowd of 75,000 flocked there to see her perform on Easter Sunday, 1939, before the monument of freedom itself. This was a major triumph for racial justice, but Anderson worried it would overshadow the rest of her inimitable career.\u003c\/p\u003e\n\u003cp\u003eIn this rich new portrait, Anthony Tommasini brings his decades of musical expertise to bear upon Anderson’s artistry, the journey of her life, and conversations about her legacy. After her breakout early performances in Europe, she gripped international audiences with her masterful renditions of Handel arias, German lieder, Scandinavian songs and Negro spirituals: bold programming for her time. But recognition was harder to achieve at home. Though celebrated for her rich, lustrous voice and insightful artistry, Anderson had to contend with hotels and restaurants that turned her away in the very cities where she appeared in concert to acclaim. These tribulations brought forth memorable shows of goodwill — Eleanor Roosevelt fought the Daughters of the American Revolution in her honor; Albert Einstein housed her in Princeton — but were representative of the fierce racism Anderson faced. Still, she became one of the most respected and successful artists of her time and famously broke the color barrier at the Metropolitan Opera in 1955.\u003c\/p\u003e\n\u003cp\u003eAs Arturo Toscanini famously said after attending one of Anderson's performances: “What I heard today one is privileged to hear only once in a hundred years.” Now, we get to experience this again, in the context of Anderson’s dignified leadership, authenticity, and majestic presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnthony Tommasini\u003c\/strong\u003e was the chief classical music critic for \u003cem\u003eThe New York Times \u003c\/em\u003efrom 2000 to 2021. He graduated from Yale University, and later earned a Doctorate of Musical Arts from Boston University. He is the author of four books, including \u003cem\u003eThe Indispensable Composers\u003c\/em\u003e, a guide to the greatest works of classical music in the canon. As a pianist, he made two recordings of Thomson’s music on the Northeastern label, which were supported by the National Endowment for the Arts.\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":46918688932036,"sku":"210000067208","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/7014\/9060\/files\/myunqzfeasipyxajhaxm.jpg?v=1790985088","url":"https:\/\/symphonystore.com\/products\/voice-of-a-century-the-life-and-artistry-of-marian-anderson","provider":"The Symphony Store","version":"1.0","type":"link"}